![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIKFMF_crhnupc5o59cUvoBpyJ4zfZo1s1SrMe1jZ15dM1qE7rgvkhiyMdmb6w3ZoRUPIVSBVSv_05YGryZr4Uxg4UWp71hVTUTSGTrbGMX5wm5DL_NPg4Fj0G6pwkPixmFEGMVcdK6gtR/s320/09.jpg)
After a string of stinging defeats, I can finally claim one small victory over the charcoal. This still-life was our second big assignment. Our job was to create a focal point and a sense of depth. In my setup the sunflower is the focal point because it is highest on the page at the apex of a triangle formed by it, the apples, and the grapes. It is the brightest object, and also the most intricate. I actually don't have a lot of depth since the apples and the grapes are sort of at the same level. But the overlapping helps.
I was really happy with how the rendering turned out. Actually my favorite object is the foreground apple. I did that first, and it turned out really well and gave me confidence to finish the rest of the drawing. So that apple saved my life. And then I ate it. It's weird to stare at something for a week, then you eat it and poof it's gone.
I got two tips from a classmate, Joseph, that really helped. One was to use paper stumps for blending instead of my finger or Q-Tips. The other was to use charcoal pencils more for the darks, instead of trying to use the thicker Char-Kole sticks. For some reason I have trouble blending the Char-Kole with the willow charcoal, and also the pencils are much more accurate.
One thing I could work on is the darkest darks. I focused on pushing the darks, but when I saw my classmates work, they had REALLY dark darks. So that is something to work on. But still I am very happy with this. At the beginning of the class I would not have believe that I could draw something of this complexity.